Purnama Seruling Penataran

Jalan-jalan wisata ke kabupaten Blitar kian menarik. banyak tempat wisata dibenahi, termasuk Penataran, sekarang banyak yang berbeda dari situs ini. Pemkab Blitar semakin jeli melihat peluang dan mulai serius untuk mengelola candi terbesar di jawa timur ini. adapun keseriusan itu adalah dimunculkan agenda bulanan. Event yang digelar tiap bulan purnama di pelataran Candi Penataran Blitar tersebut sudah kesekian kalinya berhasil disuguhkan oleh Dewan Kesenian Kabupaten Blitar. Pagelaran seni yang diberinama Purnama Seruling Penataran (PSP) dimulai sejak Purnama bulan Oktober 2010 yang dibidani oleh Ray Shaetapy (jakarta) dan

National Monument (Indonesia-part2)

Monument design

The towering monument encapsulates the philosophy of Lingga and Yoni. Lingga resembles an alu rice pestle and Yoni resembles a lesung rice mortar, two important traditional Indonesian tools. Lingga and Yoni also symbolize eternal life with the lingga phallic symbol, representing masculinity, positive elements, and daytime and the Yoni the female organs symbol, representing femininity, negative elements, and night. The monument consists of a 117.7m obelisk on a 45m square platform at a height of 17m, the goblet yard. The obelisk itself is clad with Italian marble.
The northern pond measuring 25×25 m was designed to cool water for the air conditioning system in the monument as well as to enhance the beauty of the surrounding area. To the north of the monument, there is a statue of Indonesia national hero Prince Diponegoro by Italian sculptor Cobertaldo. The entrance to the monument is located at the Medan Merdeka Utara or Northern Merdeka Park, through the

National Monument (Indonesia-part1)

"Monas" redirects here. In scientific nomenclature, -monas (meaning "unicellular") is a suffix for bacterial genera or Monas (genus), a protist.6°10′31.45″S 106°49′37.61″E

The National Monument (Indonesian: Monumen Nasional (Monas)) is a 433 ft (132 metre) tower in the centre of Merdeka Square, Central Jakarta, symbolizing the fight for Indonesia's independence. Construction began in 1961 under the direction of President Sukarno and the monument was opened to the public in 1975. It is topped by a flame covered with gold foil. The monument and the museum is open daily from 08.00 - 15.00 Western Indonesia Time (UTC+7), everyday throughout the week, except for the last Monday of each month, when the monument is closed.
Background

A letter expressing Sukarno's wish for the construction of a "National Column" dated 29 July 1963
After the Indonesian government returned to Jakarta from Yogyakarta in 1950 following the Dutch recognition of Indonesian independence, President Sukarno began to contemplate the construction of a national monument comparable to the Eiffel Tower on the square in front of the Presidential Palace. On 17 August 1954, a National Monument Committee was established and a design competition was held in 1955. This attracted 51 entries, but only one design, by Frederich

--> Silaban, met any of the criteria determined by the committee, which included reflecting the character of Indonesia in a building capable of lasting for centuries. A repeat competition was held in 1960, but once again, none of the 136 entries met the criteria. The chairman of the jury team then asked Silaban to show his design to Sukarno. However, Sukarno did not like the design as he wanted the monument to be in the form of a linga and yoni. Silaban was asked to design such a monument, but his design was for a monument so large that it would have been unaffordable given the economic conditions at the time. Silaban refused to design a